Le Baroness Andrea Albert has found the key, the button to push in order to see the real artist inside. An unassuming appearance, she could be our sister, or mother, or daughter, she isn’t your average wild young abstractist in the world of the New York art critic’s casting couch for gallery exposure. Years ago my art instructor took me to the then art driven neighborhood known by its major feature, the Quadrangle. It was filled with selling artists who were breaking classical rules. Sister Maria who actually is now responsible for my level of art review is smiling from heaven, because this artist has some of those elements the art-nun was trying to teach me!
Here art solid objects to surfeit impasto stacks of paint. Making for at least 3 of our chosen colorists who have done something with the 3 dimensional space to within an inch or so from the flat surface. It’s like a protest against heterogeneity and flatness. Ever it was, even in Van Gogh. What these Quadrangle artists did, and are now doing, was surrogate for mounds and mounds of actual paint. What could carry a symbol better than a meaningful object itself. It is key! You’ll see. I’m going to use another symbolist, who rendered hearts, but trapped in his century, it would have been considered bar relief, and that is not colorful, or it fades. But even if a old key you find is rusted, it is full of the complexity our teachers seek. Bind it to the canvas!
Indeed we have seen Baron Emil experiment with every molecule which can be pigment, and even their reaction. A similar alchemist, Le Baroness is getting human reaction the fast way, with actual objects, washes, nuts, keys, sculpted hearts, all enter her symbolism. Again, let’s not speculate! We promise to find her with the time to answer 1 or 2 questions about her work, patience!
And who is Tiffany, that we would them companions in the chase for good review?
He’s the artist who came up in search of a perspective colorist. Who would have thought! We will return to his transition to the famous color experimentalist in stained glass. But first, a look at another of Tiffany, the perspective colorist. I mean hey, no objects allowed.
Like the Rembrandts of old he used stairs, even as the source artistes of Michaelangelo. Stairs were written firmly into the art tutelage world, long before the Renaissance, they give perspective.
And now let us return to the deep pool of various forms, that is Baroness Andrea. These artist are not in the Princedom yet, like Louis Comfort Tiffany, but they were of a level. I had to get to know Andrea as perhaps do you. Again I view simplicity harshly. For I assume no one can create a theme of 3d illusion. I’ve been wrong several time right in these art articles. Yes you can create such illusion. Where is the button, the tiny Bi ring. It is sewn to the magic which led it to be found, and felt!
Experimenting is a good guess at what Madame Fine Art ist doing. She is hunting human reaction and she’s after big game! Here lines of impasto pigment creep downward like still rain which washes away all lack of her religion – the worship of color! Add us to that congregation Your Grace!
Poppies for doughnuts, tulip lips pursing in endless kisses, eye guides that will bring the back to the wild grasslands of color below! These vertical lines do as told in the viewer hunting ground, something this reviewer calls childhood color memory. But We must say it is usually yellow that triggers my memory, nice shades of lilac and powdered blue!
The same effect with red blossoms as the previous, but do notice dear reader how differently to very similar paintings make thee feel? This is color language.
I have never discussed the 2D focus of our foundation of colorism, which is impressionist in source. This is the heart of Renoir for instance, the heart of love. So without this, there is just subject, a young girl in a greening field of Dandelion. But such emotion eliminated the 2D limitation. What if objects, as in Yarl Laura Owens, were capable of conveying their own 3 dimensionality, but only if they could stir emotion as the teachers? (impressionism).
It must be emotion that leads the art effect. Now, with this addition, we see differently. Color represents emotion.
It must be hard, it must physical. Love is as hard as nails. The deep sanguine leads. It places you in a single canvas of unremarkable impressionist make. Only then, emotion sets the second look, the 3D object, like the walk inside the canvas, the Laura Owens ‘Room’. Inside our optical field is the object from the Renior, light does not show. I found this odd, and added her. Thence, I wandered into the sea of emotion, of all her works of object.
We are bound to lovers, we are bound to family, we are bound to color within our memory, more bronzéd, chased by acid into gold or burnished. The crown of a Savior, or Feet. But we must wear these thorns which are our binds.
You feel them alone or against backdrop, later she began to experiment with the concept of art beside art. But my head spun still from seeing different modes in which the hearts were mounted.
Did I say mounted or presented?
Here before your optical field, ist the memory of thy wedding. A much more beautiful tribute was written, the boy upstairs and his family preside over hacking, the FBI, and local authorities of Dallas WILL not help. So that critique is gone forever, as I am old and cannot remember it. 6 years ago my writing in a novel form, was stolen between here and at Atlanta, and this family is from Atlanta. 6 years on the waiting for the White FBI of Jackie Johnson’s son rolled up like a Black child human burrito fame to do anything. This, though Russians are involved, it’s a real scandal of law enforcement and the entertainment industry.
I suppose there is blood in every colorist story, including that of the humble reviewer.
Let Baroness loves this idea of the key. It is supernatural,
The heart is often lost, just like jewels, like rings, or buttons
Going through the art of Andrea and those around her, like an enclave, the theme of 3 dimensions returns again and again. But it is she who wove in the love, and lost things found theme. She who found these keys and led us to wonder. It sat upon the desk the rest of my life. Hoping live or fate would return it to a lived one, going to a treasure box of their genetic self, their grandparents rings, crucifixes, more, if only they walk through my door and see it. It was quaint of me. This is trying to codify wistful and precious ghosts of art emotion.
The color of old keys is deeper than rust, it is bloodlines.
After Tiffany left behind color, even light in perspective, he still needed light to strike color, and give us something, a joy, a memory, he likely wandered into a chapel, and thence he drove himself to learn, leaving canvas behind forever.
Above Wiki shows the variegated forms. But remember he only arrived at light, through the classical or art school perspective-light.
Below, I step backwards to show you the squared space he was able to salvage when he looked at the many stained glass windows of our planet. He brought light and realism to the paned form. Many who came later, I say were merely realist of stained glass.
We have seen the 3D interest and usage of objects at the Dsllas Quandrangle that was, Bohemian neighborhoods at its perimeters, up and down the streets, you might have watched the modern art revolution occurring, and it had solids, objects. We are very pleased with the evolution of these forms. Expand, change, grow, discover!
And can any common object found bring a strange connected memory of past loves, lost treasure, or simply permission to enter the artists, life.
And how was she able to see somehow the same Bi rings, that The Queen and I saw at The Kimball? That…that is strange. We shall have King Elia ask her in the gamespace one evening. Bon sua!
Looks like match tips! Bi rings and matchticks!
I actually am a poor little matchstick boy, so hire our team, buy some art, donate to our mag!
We shall have a lot to talk about.
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